Jimmy Breslin can sniff out a story like he can sniff out a rat. Here, he tells a lifetime of anecdotes in his inimitable New York voice, giving us a view through the keyhole of the people and places that define the Mafia: characters like Sammy the Bull, the original snitch and Gaspipe Casso, named for his weapon of choice; and hangouts like Pep McGuire's, the legendary watering hole where reporters and gangsters (all hailing from the same working class neighborhoods) rubbed elbows and traded stories. But best of all, Breslin captures the moments in which the Mafia was made and broken: Breslin was there the night John Gotti celebrated his acquittal, having bribed his way to innocence. In The Good Rat, Breslin brings together the most recent, most memorable, and the long forgotten stories to create a sharp-eyed portrait of the mob as it lived and breathed, as it sounded and survived.
Richard Davidson has just the gravelly tough-guy voice to bring Breslin's Mafia story to life. But THE GOOD RAT is an unnecessarily complicated story about a good fella named Burt Kaplan who testifies against two NYPD detectives who murdered for the Mob. For authenticity's sake, Breslin has included actual testimony from the trial--which, unfortunately, slows down the pace of the story. The plot also suffers from too much jumping around. Breslin is at his best when he tells a story strictly in his own words and delivers the flamboyant language and colorful characters he's known for--like Tommy "Three-Finger" Brown and Sammy "The Bull" Gravano. M.S. (c) AudioFile 2008, Portland, Maine
Digital Rights Information
OverDrive WMA Audiobook
Burn to CD:
Not permitted
Transfer to device:
Permitted (6 times)
Transfer to Apple® device:
Permitted
Public performance:
Not permitted
File-sharing:
Not permitted
Peer-to-peer usage:
Not permitted
All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.